Noah Baumbach's adaptation of Don DeLillo's contemporary classic is serviceable and, at times, memorable.
All in Movie Reviews
Noah Baumbach's adaptation of Don DeLillo's contemporary classic is serviceable and, at times, memorable.
There is still magic left in Kevin Smith. Not that much, but it's still there.
You've seen this movie a hundred times before, but it still hits the spot.
It was impossible to avoid this movie in the Holidays. I tried, believe me.
A phenomenal first act that results in just a very good, very smart movie.
A little too iconoclast and self-referential to be a classic, but quite Coen-y nonetheless.
No one likes origin stories, but Pearl isn’t like anything you’ve seen.
It’s difficult for men to see past their own dicks, but this is what we look like past it.
It’s a great way to spend two hours, but you won't remember it in two weeks.
I feel like this film is appropriately Baz Luhrmanny. It’s also a fine film about an American myth.
Florence Pugh, Olivia Wilde and Shia LaBeouf are the least of this movie’s problems.
This movie is not that good, but it’s also not as politically rotten as presented.
Well shit, this is both fun in a campy, peek-a-boo way and genuinely scary.
It takes a serious storytelling talent to make flying saucers scary in 2022.
It’s fine. It’s not good, but it’s fine. Everyone will forget about it in a year.
